SANAA’s Seijima Designs ‘Invisible’ Japanese Express Train

" The staff of 30 work till 2 or three in the early morning and at weekends. Kazuyo Sejima is a gorgeous woman. A scintillating architect. Her focus on lithe visual appeals is enjoyed and abhored, her dreamy productions are the things of indigenous materials sprinkled with pixie dust.
Opposed to the idea of speed, Sejima chimes "I'm not such an effective individual.

The Seibu Group, Japan, is famous for its "Red Arrow" series, known for brightly colored traditional designs that are splashy and obvious.
Thus this time, for the business's 100th anniversary, they decided to do something different.
Seibu commissioned the 'Closet Starchitect' Kayuzo Sejima, to craft a fresh design that reveals the digital age, harbouring hopes of the future.
And Sejima did precisely that.
She conjured a blithe, semi-transparent style that enables the train to merge with the surroundings. The aluminium reflective sheath used is easy and undoubtedly light on the eyes.
The aim was to let the speedy train mix into its landscape while on the relocation.
Expected to finish in 2018, Architect Kazuyo Sejima has not just proposed mirrored surface areas, however is likewise designing the interiors of the luxury train. The objective is to make visitors feel like they remain in their living-room, cosy and unwinded.
Innumerable architects have developed train stations before, but this is the very first time an architect only has actually been commissioned to create a train.
Sejima claims that this has actually "never been seen prior to now."
We're noting this as a substantial development on the architectural frontier, and a big win for Kayuzo Sejima herself.
After finishing from the Japan's Women's University, she went on to work for the Japanese legend Toyo Ito.
1987-- Kazuyo established her own company
1992-- Titled as Japan's youngest Architect of the Year.
1995-- She established sanaa architects with her previous coworker, Ryue Nishizawa
When she was hypothesized upon for the position of director as she didn't have the qualifications of a writer or critic, she frequently has stated, "Being an architect. I am just interested in making architecture."
SANAA is the proud developer of poetic, lustrous structures throughout Japan and all over the world.
Florian Idenburg, a Dutch architect who worked in SANAA for 8 years, touched upon her "unbelievable taste and amazing compassion". Sejima's goal is to percolate nature through the pores of architecture and absorb the wholesome human experience.
For Kazuyo Sejima, her workplace is house and family.
" Somebody when asked for to movie her in your home," remembers Florian Idenburg.
" And she just directed them directly to the office."
" The staff of 30 work till two or 3 in the early morning and at weekends. Everybody wears black and are habitual chain-smokers. You either get thin or fat."
Her unusual design of the National Gallery of Hungary, beautiful mirrored Serpentine Gallery, Rolex Learning Centre and the delicate New Museum in New York are only some of the masterpieces she has carried out.
Kazuyo Sejima is a stunning woman. A scintillating architect. Positive of what she wants, she has removed the paths too trodden. Her concentrate on lithe aesthetics is liked and abhored, her dreamy creations are the things of indigenous materials sprinkled with pixie dust.
Opposed to the concept of speed, Sejima chimes "I'm not such an effective person. I simply continue believing. Time is essential."