Steven Holl Biography : Différence entre versions

Version actuelle datée du 26 avril 2019 à 19:56

American designer and theoretician Steven Holl (1947) is one of the best-known and most influential designers of the modern age thanks to his tasks built primarily in New york city and in the Orient (China, Japan, South Korea).
After graduating from Seattle University and studying in London and Rome, he opened Steven Holl Architects in New York in 1976.
In his large production Holl synthesises "philosophical reasoning and style methods" in research which is at the same time "experience and criticism" (Heck-Chiarone).
In his crucial essay Anchoring (1989 ), Holl defines the "dialectic relationships" between places and structures: clear examples include his New York projects of the eighties, which brought his studio fame and recognition.
His Pool House in New York (1981) and in the Museum of Modern Art Apartment (1986) expose the constructions' historic and geographic elements; his showroom for the Pace Collection (1986) plainly reveals the poetics of the De Stjil movement. His offices for D.E. Shaw & Co (1992) and high impact façade for the Storefront for Art and Architecture (1993) are likewise worthy of note.
His projects in Europe consist of the highly experimental Kiasma Contemporary Art Museum in Helsinki.
Holl has actually created numerous essential single-family houses (Berkowitz-Odgis House, Stretto House) and real estate complexes, consisting of several in Japan: the Void Space in Fukuoka (1991 ), in which Holl highlights the "void" of Buddhist cosmology, and the 190 Makuhari Bay systems in Chiba (1996 ).
His existing jobs in China have actually had a great social impact: the Culture and Art Center in Qingdao City and the Ecocity Ecology-Planning Museums in the country's first eco-friendly city (Tianjin Eco City).