SANAA’s Seijima Designs ‘Invisible’ Japanese Express Train : Différence entre versions

Version actuelle datée du 27 avril 2019 à 05:02

The Seibu Group, Japan, is famous for its "Red Arrow" series, known for brilliantly colored traditional designs that are noticeable and splashy.
Thus this time, for the company's 100th anniversary, they decided to do something different.
Seibu commissioned the 'Closet Starchitect' Kayuzo Sejima, to craft a fresh design that reveals the digital age, harbouring hopes of the future.
And Sejima did exactly that.
She conjured a blithe, semi-transparent design that permits the train to combine with the surroundings. The aluminium reflective sheath used is easy and unquestionably light on the eyes.
The objective was to let the quick train mix into its landscape while on the relocation.
Anticipated to finish in 2018, Architect Kazuyo Sejima has not just proposed mirrored surfaces, however is also creating the interiors of the luxury train. The goal is to make tourists seem like they remain in their living room, cosy and relaxed.
Many designers have actually created train stations previously, however this is the very first time an architect only has actually been commissioned to create a train.
Sejima declares that this has "never been seen before now."
We're noting this as a huge development on the architectural frontier, and a big win for Kayuzo Sejima herself.
After finishing from the Japan's Women's University, she went on to work for the Japanese legend Toyo Ito.
1987-- Kazuyo set up her own company
1992-- Titled as Japan's youngest Architect of the Year.
1995-- She founded SANAA with her previous coworker, Ryue Nishizawa
When she was hypothesized upon for the position of director as she didn't have the certifications of an author or critic, she frequently has actually stated, "Being a designer. I am simply thinking about making architecture."
sanaa architects (visit their website) is the proud creator of poetic, lustrous structures throughout Japan and worldwide.
Florian Idenburg, a Dutch architect who worked in SANAA for eight years, touched upon her "unbelievable taste and unbelievable generosity". Sejima's goal is to percolate nature through the pores of architecture and absorb the wholesome human experience.
For Kazuyo Sejima, her workplace is house and household.
" Somebody when asked for to film her in your home," remembers Florian Idenburg.
" And she just directed them straight to the office."
" The personnel of 30 work until 2 or three in the early morning and at weekends. Everybody uses black and are regular chain-smokers. You either get fat or thin."
Her unusual design of the National Gallery of Hungary, stunning mirrored Serpentine Gallery, Rolex Learning Centre and the fragile New Museum in New York are only a few of the work of arts she has actually executed.
Kazuyo Sejima is a beautiful lady. A scintillating designer.
Opposed to the notion of speed, Sejima chimes "I'm not such an efficient person. I simply continue believing. Time is very important."

" The staff of 30 work until 2 or three in the morning and at weekends. Kazuyo Sejima is a stunning female. A scintillating architect. Her focus on lithe looks is enjoyed and disliked, her dreamy productions are the stuff of indigenous products sprinkled with pixie dust.
Opposed to the idea of speed, Sejima chimes "I'm not such an efficient individual.